All Critics (225) | Top Critics (44) | Fresh (211) | Rotten (14)
What's striking is the absence of triumphalism -- Bigelow doesn't shy away from showing the victims shot down in cold blood in the compound -- and we come away with the overwhelming sense that this has been a grim, dark episode in our history.
Chastain makes Maya as vivid as a bloodshot eye. Her porcelain skin, delicate features and feminine attire belie the steel within.
No doubt Zero Dark Thirty serves a function by airing America's dirty laundry about detainee and torture programs, but in its wake, there's a crying need for a compassionate Coming Home to counter its brutal Deer Hunter.
While "Zero Dark Thirty" may offer political and moral arguing points aplenty, as well as vicarious thrills,as a film it's simply too much of a passable thing.
From the very first scenes of Zero Dark Thirty, director Kathryn Bigelow demonstrates why she is such a formidable filmmaker, as adept with human emotion as with visceral, pulse-quickening action.
A timely and important reminder of the agonizing human price of zealotry.
Whereas Locker was less about war than what it is to have a death wish, ZDT is less about the suspenseful true-life search for Osama bin Laden than the red tape one woman must wade through to prove that a mean old bastard is living in suburban Pakistan.
Bigelow's great achievement is stripping down the action from the exaggerated theatrics in movies and television shows so the missions feel no less exciting and immediate.
One of the finest movies of the year is a thriller about the tracking and, finally, slaying of Osama bin Laden.
There is no Team America-style, flag-waving bravado behind this story - it is quite the opposite.
Bigelow has created the best film of 2012.
"Zero Dark Thirty" is less a celebration how terrorist mastermind Osama bin Laden was found and killed than an engrossing examination of why it took a decade to deal with him.
Following on from the great acclaim of The Hurt Locker, Bigalow's shaky cam and tough talking characters once again take us to the dark side of modern warfare.
In the absence of cinematic grandeur and didacticism, we're left as empty and as lost as Chastain's agent as she boards a symbolically empty plane for an uncertain future. Just what are we to think of the so-called War on Terror?
The viewer needs to stay sharp to stay on top of the details of the labyrinthine search, but Bigelow tackles the complex story with the same muscular urgency and incisive intelligence that won her an Oscar for The Hurt Locker.
Exhilarating cinema that makes you want to forget all the questionable issues of representation that have come before it.
This is a fascinating film, and Chastain's wonderful performance has something in it of the tragic sense of life.
So overwhelming is the momentum that it proves possible to live with the intelligence that the protagonist is complicit in ground-level fascism.
Blistering writing, directing and acting hold us firmly in our seats as this procedural drama snakes its way to a riveting action finale
Terrifically good, propulsive film-making ...
Remarkable and engaging piece of filmmaking considering the outcome of the story is well known. A sign of the times we live in and the processes put in place to wrangle the people that choose to live outside the realm of civility
Not what you'd call crowd-pleasing, this is fascinating - if occasionally harrowing - in its realistic depiction of the intricacies of CIA operations.
Against all the odds, Kathryn Bigelow's powerful story of the hunt is a taut and searing action thriller that keeps you gripped.
A silly, at times despicable film that never remotely deserved an Oscar nomination. Compared with this, Team America: World Police was a think piece.
Source: http://www.rottentomatoes.com/m/zero_dark_thirty/
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